- #Portrait retouching example skin#
- #Portrait retouching example series#
Adjustments of contrast, color correction and the chosen grade of the image all need to match and be consistent across all images in the series.
#Portrait retouching example series#
Editorials are usually a story, a series of images of the subject. #Portrait retouching example skin#
The skin should be cleaned up, but not excessively polished. We typically are expected to remove permanent features such as scars and moles, reduce the intensity of wrinkles and adjust any skin discolorations within the image.Photo & Post by Julia Kuzmenko McKim for LA Fashion Magazine, Dec 2013 Do not detract from the original image or depiction of the subject.Īn example of a beauty portrait of Patricia Schneider by Julia Kuzmenko: If you choose or are asked to improve skin texture, add contrast, color correct and sharpen the image – keep it subtle.In female beauty portraits, the skin texture is typically evened out to look flattering, but not polished to perfection.
The skin is generally left intact apart from removing non-permanent details mentioned above.However, non-permanent features like pimples, redness of skin, bruises are typically cleaned up, minimized 0r removed completely. Depending on the image, you may even wish to emphasize or reduce the intensity of these features.
We should aim to leave all permanent features like scars, freckles, and moles in. Headshots and Model Tests are generally considered in this category, as they require depicting the subject as naturally as possible for them to be given potential work based on their actual appearance. The image should appear as if it hasn’t been retouched. In Portrait Retouching we typically try and keep all of the personal qualities and characteristics of the person’s appearance intact. web) and how much time you can afford spending on each image.Īs mentioned above, each retouching “category” will still have its own set of reference points that we need to follow to achieve the desired end result. If you can answer both of these questions before you begin retouching it will give you an outline as to what is required (print vs. How many images are to be retouched and delivered? ( One image within a week, or a dozen in a day.) Will it be in a magazine, on posters, or exclusively online, etc.)Ģ. Who is the client and what is the image to be used for? (For example, a well-known brand or a private client. So how do we determine the category (its implicit techniques and time allocations) to be applied to an image? The following questions can help you evaluate which category your image falls under and how much time typically required to retouch one image.ġ. In other words, the decisions and actions one undertakes when editing in the area of “Portrait” will be different from those undertaken when editing an image in “Beauty”. The general term “Retouching” can be categorized under the following subject-specific areas of Portrait, Editorial, Commercial, Beauty and Creative Retouching.Įach of these areas possesses its own assembly of considerations around what “retouching” is when editing the image in question.
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